Rear dropout detail on my own CX bike, Deep Gravy. I love these dropouts and I think all the shaping and filing of the brass paid off because the transitions to the stays look great.
Nikon N80, 50mm f/1.8, Kodak Portra 160
Ford Mustang (by Garret Voight)
Stingray (by Garret Voight)
Coyote Duster (by Garret Voight)